OAKI CREATIONS
Cluster Contemporary Jewellery
”The Living Trace”
Lucas Coudert is a French designer and the founder of Oaki Creation, established in 2022.
Raised in a family of artisans, he developed an early affinity for materials, tools, and form in his family’s workshop in Aulnay-sous-Bois.
His creative vision has been deeply influenced by his connection to Japan , a country whose aesthetics, philosophies, and artisanal rituals have left a lasting mark on his work. It is there that he discovered the symbolic resonance of cultured pearls: their purity, impermanence, and the organic elegance shaped by time.
Inspired by the precision and restraint of traditional Japanese woodworking, Lucas brings a contemplative, tactile approach to jewelry.
He primarily works with precious and exotic woods paired with cultured pearls, creating sculptural pieces where natural textures meet formal purity.
Through experimental assembly techniques developed over the years, he explores jewelry as a silent language, a meeting point between structure and emotion, where tradition is not preserved nor rejected, but thoughtfully reimagined.
Oaki Creation is a young contemporary jewellery brand that draws inspiration from design, architecture, and the minimalist lines subtly offered by nature. The idea to create jewellery with a unique and timeless aesthetic was born in Japan, influenced by local craftsmanship and production methods rooted in slowness, precision, and respect for every gesture. This thoughtful approach to time and technique shapes the very essence of the brand.
Lucas, the designer, places great importance on volume and finishing. He enjoys pushing the limits of materials to achieve a result that is both delicate and refined. To him, a piece of jewellery should reflect a sense of balance and inner peace, resonating with the person wearing it. The jewel then becomes an invitation to meditation. Each piece is created with the intention of being everlasting, both through the quality of its materials and the purity of its design.
