Lori Michelle Steenhoek is a jewelry designer whose work revolves around simplicity, geometry, and intentional design. With a background in architecture, she translates the language of large-scale structures into intimate forms of adornment.

Lori holds a BS in Architecture and a Master’s in VFX. Early in her career, she worked in Washington, DC, creating 3D renderings, CAD models, and animations for architectural visualization. Her perspective shifted when she 3D-printed a design for the first time—a ring in plastic—realizing the potential of working at a human scale. For the first time, her designs were tangible, small enough to hold in the palm of her hand.

The transformation from digital model to wearable product—a piece of art for the body—brought Lori a profound sense of fulfillment. Her work seeks to elegantly juxtapose the hard, clean lines of modern metalwork with the soft contours of the human body.

Starting from sketches, Lori transfers her ideas to CAD and then 3D-prints them in high-resolution wax. In her studio in Islington, she designs each piece before collaborating with local and international casters to produce the final works in sterling silver and gold.

Lori has created over 250 custom pieces for private clients, has her designs featured in boutiques worldwide, and enjoys engaging with communities through pop-up markets and events. Her jewelry encourages wearers to explore and celebrate their personal style and unique identity.

Materials and Sustainability

Pereira dedicates her practice to using biodegradable PLA made from renewable resources, reflecting her commitment to sustainable consumption and resource efficiency. Her collections feature rings with interchangeable parts, necklaces inspired by architecture, and sculptural brooches, illustrating how digital fabrication supports sustainable design without sacrificing creativity.

Design Philosophy

Combining the precision of engineering with artistic sensitivity to form, texture, and movement, Pereira creates pieces that are both personal adornments and conceptual statements. Her work demonstrates how technology and craftsmanship can thoughtfully intersect in contemporary craft practice.