Flori Stoica is a contemporary jewellery artist whose practice merges architectural structure with material sensitivity. Working under the name Osria Coltif, she creates sculptural pieces that explore the interplay between form, texture, and emotion. Based in the United Kingdom, her work is rooted in a studio practice that values slowness, experimentation, and the expressive potential of adornment.

Flori works primarily with sterling silver, often combining it with vivid thread, geometric volumes, and hand-forged elements. Her collections reflect a balance of contrasts — soft and rigid, refined and raw, structured and instinctive. Colour plays an essential role, introduced as both a compositional tool and a conceptual device, evoking tension, movement, or stillness.
Guided by an intuitive process, Stoica draws inspiration from Brutalist architecture, organic repetition, and the marks left behind by making. Her jewellery embraces imperfection and tactility, prioritising presence over polish.

Her pieces have been exhibited across the UK and Europe, including Cluster Contemporary Jewellery in 2024 and Milano Jewelry Week. Each work is conceived as more than ornament — it is a wearable object of reflection, rhythm, and connection, inviting the wearer into a quiet dialogue between body and form

Osria Coltif explores the interplay between structure, material, and emotional resonance. Her practice is defined by a sculptural approach to adornment, combining sterling silver with vivid cord, hand-formed elements, and tactile surfaces. Each piece investigates contrast — between hard and soft, geometric and organic, precise and imperfect.
Rooted in slow, intuitive making, the work embraces rhythm, repetition, and the natural traces of process. Whether through architectural forms, wrapped thread, or clustered silver blooms, the pieces reveal a sensitivity to movement, form, and the body. Colour is introduced as a deliberate interruption or gesture, often used to heighten a sense of tension or softness within the design.

Influenced by architecture, natural asymmetry, and modernist design, Osria Coltif creates jewellery that exists between sculpture and ornament, concept and intimacy. The work resists mass production, favouring one-of-a-kind pieces that invite touch, reflection, and presence.
Each object is conceived not only as a visual statement, but as a personal artefact — a quiet companion that moves with the wearer, carrying with it both material integrity and poetic expression.