My making process begins with ideas. Often themes come together in threads of words, theories, visual cues, such as the way the light passes across a surface, or the materials I have to hand in the workshop. I then set about to make these visible.
I construct my pieces, cutting or raising from flat metal sheet, making simple forms which I then elaborate with detailed moving elements such as the ‘zero’, leaf or ‘moss’ pins.
I believe that objects hold the memory of their making, the imprint of each process & intention leaves a mark which create layers of meaning & so it is important to me that these remain visible in my work.
I seek to make pieces that are beings in their own right. As still lives they sit, as if sleeping, waiting for a touch, a wearer, to bring them to life. All the pieces are made also to be worn & function as wearable jewellery thereby exploring the interaction between body, object & gesture.
I make limited editions & one off individual pieces that build together in commonly themed collections. My current work looks at the complexity of language used to identify & position women in society.