"My practice begins with the hands. I work slowly, primarily through hand-pinching clay, allowing each piece to form through touch, pressure, and quiet attention. This pace is intentional. It mirrors the way I am learning to live — with more presence, patience, and reverence for what is small and often overlooked.

I am drawn to earthy materials, raw surfaces, and subtle imperfections. Clay, for me, holds memory: of the body, of time, of what has been held and released. Through simple forms — bowls, cups, vessels — I explore how everyday objects can become anchors for stillness and care. The Mishima technique allows me to mark the surface gently, leaving traces that feel both intimate and restrained, like a whispered gesture rather than a declaration.

My work is shaped by personal transformation, motherhood, and a journey of spiritual returning — letting go of what no longer serves, and creating space for what is essential. Making is not separate from living; it is a way of grounding myself, of listening inward, of honoring the quiet rituals that sustain us.

Each piece is an invitation: to slow down, to hold something with intention, and to rediscover reverence in the ordinary moments of daily life."